Difference between revisions of "Getting Her Back"
(→Notes) |
m (Updated URL from old.LG15 to youtube) |
||
| (45 intermediate revisions by 26 users not shown) | |||
| Line 1: | Line 1: | ||
{{Blog | {{Blog | ||
| name = {{PAGENAME}} | | name = {{PAGENAME}} | ||
| − | | | + | | series = LG15 |
| + | | number = 204 | ||
| image = 204-JonasCarryingBreeFromTheCar.JPG | | image = 204-JonasCarryingBreeFromTheCar.JPG | ||
| − | | caption = | + | | caption = No! I have to do the Ceremony! |
| blogger = Daniel | | blogger = Daniel | ||
| − | | date = | + | | date = 20070601 |
| − | | url = {{ | + | | url = {{youtube|7qjgXqftW08}} |
| forumid = | | forumid = | ||
| length = 3:11 | | length = 3:11 | ||
| description = The flyers beneath the blue stone had a phone number. We called it and heard a strange message. However, once you all figured out what it said, Jonas realized we need to come here. Thank you. - Daniel | | description = The flyers beneath the blue stone had a phone number. We called it and heard a strange message. However, once you all figured out what it said, Jonas realized we need to come here. Thank you. - Daniel | ||
| + | | location = [[Hymn of One recruitment centers#The Seminar Location|The Hymn of One seminar location]] | ||
| faction = The Resistance | | faction = The Resistance | ||
| status = Public Video | | status = Public Video | ||
| Line 15: | Line 17: | ||
<!-- Production Credits leave blank after "=" if data is not available --> | <!-- Production Credits leave blank after "=" if data is not available --> | ||
| − | | execprod = | + | | execprod = Miles Beckett, Mesh Flinders, and Greg Goodfried |
| − | | producers = | + | | producers = Amanda Goodfried |
| − | | pa = | + | | pa = Ian Schwartz |
| − | | directors = | + | | directors = Mesh Flinders |
| − | | camera = | + | | camera = Kevin Schlanser |
| − | | vidplay = | + | | vidplay = Jan Libby |
| − | | story = | + | | story = Miles Beckett, Mesh Flinders, Greg Goodfried, and Jan Libby |
| − | | editor = | + | | editor = Kevin Schlanser |
| song = | | song = | ||
| Line 29: | Line 31: | ||
{{VidChar|Daniel}} | {{VidChar|Daniel}} | ||
{{VidChar|Sarah}} | {{VidChar|Sarah}} | ||
| − | {{VidChar|Lucy | + | {{VidChar|Lucy}} |
{{VidChar|Bree}} | {{VidChar|Bree}} | ||
| − | {{VidChar|Watcher| | + | {{VidChar|Bree's Watcher|Greg Goodfried}} |
| Previous = It's A Cult | | Previous = It's A Cult | ||
| − | | Next = | + | | Next = I hAtE tHeSe PeOpLe |
| PreviousB = Comfort Food | | PreviousB = Comfort Food | ||
| − | | NextB = | + | | NextB = Taking Advantage of Her |
| PreviousC = | | PreviousC = | ||
| NextC = | | NextC = | ||
| − | }} | + | }} |
| − | + | ||
| − | + | ||
==Transcript== | ==Transcript== | ||
(''The place where the Hymn of One flyers were being handed out is shown.'') | (''The place where the Hymn of One flyers were being handed out is shown.'') | ||
| − | '''Jonas:''' Beneath the blue stone. I guess this is where we're supposed to be? If you don't know what I'm talking about, let me explain... Bree's two Hymn of One Recruitment videos. They were pretty strange, right? There was a clue in them. Take the first letter, of the first word, of each sentence and it spells, "Help Her Friday Beneath the Blue Stone." We weren't really sure what that meant until yesterday. Those people there, from the seminar | + | '''Jonas:''' Beneath the blue stone. I guess this is where we're supposed to be? If you don't know what I'm talking about, let me explain... Bree's two Hymn of One Recruitment videos. They were pretty strange, right? There was a clue in them. Take the first letter, of the first word, of each sentence and it spells out, "Help Her Friday Beneath the Blue Stone." We weren't really sure what that meant until yesterday. Those people there, from the seminar? Well, they received this flyer and they said they got it "beneath the blue stone." And the flyer had a phone number on it. So, we called it last night. But here's the bizarre thing. It was a weird message and we really couldn't understand what it was saying, but what I did make out from it, is that I think this is the place that we're supposed to be. |
(''Camera cuts to Daniel.'') | (''Camera cuts to Daniel.'') | ||
| − | '''Jonas:''' Okay! So here we are. It looks like we're the first on the scene. I went to a... crazy party here when I was a kid. I guess, like, one of my dad's best | + | '''Jonas:''' Okay! So here we are. It looks like we're the first on the scene. I went to a... crazy party here when I was a kid. I guess, like, one of my dad's best friends threw this party for his ten year-old son, it was his birthday. And, uh... I mean, he drove me and Alex all the way down here, just to go to this thing. It was so crazy that they even had pony rides in here. |
'''Sarah:''' That's cool... | '''Sarah:''' That's cool... | ||
| Line 56: | Line 56: | ||
'''Jonas:''' Yeah. | '''Jonas:''' Yeah. | ||
| − | '''Sarah:''' Cause ponies are awesome. | + | '''Sarah:''' 'Cause ponies are awesome. |
| − | '''Jonas:''' Well, anyway, when I heard that clue about "Sid the Clown" I knew that, uh... we had to come here. You remember ? | + | '''Jonas:''' Well, anyway, when I heard that clue about "Sid the Clown" I knew that, uh... we had to come here. You remember? |
| − | '''Sarah:''' '' | + | '''Sarah:''' (''to Daniel'') You so pretty! |
(''Shot of Daniel patting his lap with his hands in anxiety'') | (''Shot of Daniel patting his lap with his hands in anxiety'') | ||
| Line 74: | Line 74: | ||
'''Jonas:''' Yowza! | '''Jonas:''' Yowza! | ||
| − | '''Sarah:''' '' | + | '''Sarah:''' (''scoffs'') Can I go yet? |
'''Jonas:''' No! Not yet. | '''Jonas:''' No! Not yet. | ||
| − | (''Sarah imitates shooting | + | (''Sarah imitates shooting herself in the head through her mouth and collapses onto the back seat.'') |
'''Jonas:''' Oh, That's hot! | '''Jonas:''' Oh, That's hot! | ||
| Line 86: | Line 86: | ||
'''Sarah:''' Uh, you know what? Sitting in this car is not doing anything. So... | '''Sarah:''' Uh, you know what? Sitting in this car is not doing anything. So... | ||
| − | '''Jonas:''' Well, | + | '''Jonas:''' Well, ya know, it's just gotta stop! |
| − | '''Sarah:''' You know what! Okay! | + | '''Sarah:''' You know what! Okay! Ya know what, no, seriously... |
'''Jonas:''' Hey! Don't you! No! | '''Jonas:''' Hey! Don't you! No! | ||
| Line 94: | Line 94: | ||
'''Daniel:''' No! Don't! | '''Daniel:''' No! Don't! | ||
| − | '''Sarah:''' You just need someone. | + | '''Sarah:''' You just need someone... |
| − | '''Jonas:''' Do not leave! Do not | + | '''Jonas:''' Do not leave! Do not leave the--! Dammit! |
| − | + | ||
| − | + | ||
(''Sarah gets out of the car and rolls her eyes.'') | (''Sarah gets out of the car and rolls her eyes.'') | ||
| + | |||
| + | '''Daniel:''' Stop her. | ||
'''Sarah:''' Ooh! | '''Sarah:''' Ooh! | ||
| Line 122: | Line 122: | ||
(''Sarah runs off ahead towards Lucy. Daniel chases after her.'') | (''Sarah runs off ahead towards Lucy. Daniel chases after her.'') | ||
| − | '''Sarah:''' Better that we talk to her. | + | '''Sarah:''' Better that we talk to her... |
'''Daniel:''' No. | '''Daniel:''' No. | ||
| Line 130: | Line 130: | ||
'''Sarah:''' Look... Put me down! URGH! PUT ME DOWN! | '''Sarah:''' Look... Put me down! URGH! PUT ME DOWN! | ||
| − | ('' | + | (''Cut to back in the car. In the distance, there is a car with two guards in suits.'') |
'''Daniel:''' This car just parked, and the guards are looking, kind of, very scary to me. | '''Daniel:''' This car just parked, and the guards are looking, kind of, very scary to me. | ||
| − | '''Jonas:''' I bet Bree’s in the back of that... | + | '''Jonas:''' I bet Bree’s in the back of that... back of that car. |
(''Close up of the car and guards. Lucy walks up to the car and starts gesturing to the guards, one of them walks away with her. The other guard opens the car door and starts talking to the person in the back seat.'') | (''Close up of the car and guards. Lucy walks up to the car and starts gesturing to the guards, one of them walks away with her. The other guard opens the car door and starts talking to the person in the back seat.'') | ||
| − | '''Jonas:''' ‘Right, me and Daniel here we’re just sitting tight. Sarah took off, she | + | '''Jonas:''' ‘Right, me and Daniel here we’re just sitting tight. Sarah took off, she said she’s got a plan. She told us about it. Hope it works. |
(''Camera cuts to Sarah running towards the car from the other direction, waving her arms and gesturing to the guard as if she is in distress.'') | (''Camera cuts to Sarah running towards the car from the other direction, waving her arms and gesturing to the guard as if she is in distress.'') | ||
| Line 144: | Line 144: | ||
'''Daniel & Jonas:''' There she is. | '''Daniel & Jonas:''' There she is. | ||
| − | '''Jonas:''' (''High pitched voice.'') What the hell is she doing? That is so obvious | + | '''Jonas:''' (''High pitched voice.'') What the hell is she doing? That is so obvious. |
'''Daniel:''' What? | '''Daniel:''' What? | ||
| − | '''Jonas:''' That’s | + | '''Jonas:''' That’s f--... it’s working! |
(''The guard walks away from the car towards Sarah.'') | (''The guard walks away from the car towards Sarah.'') | ||
| Line 182: | Line 182: | ||
'''Daniel:''' She hasn’t got away!! | '''Daniel:''' She hasn’t got away!! | ||
| − | (''Sarah breaks free from the guard and runs away. The guard starts running towards the car and [[BDJ]].'') | + | (''Sarah breaks free from the guard and runs away. The guard starts running towards the car and [[TAAG|BDJ]].'') |
'''Daniel:''' Alright. | '''Daniel:''' Alright. | ||
| − | (''Daniel turns around | + | (''Daniel turns around and runs back to their own car.'') |
'''Jonas:''' Good man. You drive! | '''Jonas:''' Good man. You drive! | ||
| Line 201: | Line 201: | ||
==Notes== | ==Notes== | ||
| − | + | * The growing [[Relationships#Daniel and Sarah|flirtation]] from Sarah towards Daniel is obvious, especially when she refers to a certain "something" that may calm his nerves. | |
| − | * The growing [[Relationships# | + | |
* The vehicle Bree was sitting in did not have a license plate. | * The vehicle Bree was sitting in did not have a license plate. | ||
| − | |||
* Daniel is caught up in [[cap]] fever. | * Daniel is caught up in [[cap]] fever. | ||
| + | * Sarah has confirmed [http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=181223773&blogID=271657178&MyToken=669599bc-b32d-4761-b005-d9601886afce] that she, indeed, is safe. | ||
| + | *Sarah is, again, wearing all black. | ||
| + | * The music heard in the background of the "meeting" can be found on the application GarageBand, under the name "Deep Electric Piano". It's not quite clear whether it is #01 or #02 | ||
Latest revision as of 00:43, 30 June 2016
| Getting Her Back | |
|
| |
| Blogger | Daniel |
|---|---|
| Date Posted | June 1st, 2007 |
| URL | youtube.com |
| Length | 3:11 |
| Description | The flyers beneath the blue stone had a phone number. We called it and heard a strange message. However, once you all figured out what it said, Jonas realized we need to come here. Thank you. - Daniel |
| Location(s) | The Hymn of One seminar location |
| YouTube Tags | lonelygirl15 lg15 daniel danielbeast jonas jonastko |
| Production Credits | |
| Executive Producer(s) | Miles Beckett, Mesh Flinders, and Greg Goodfried |
| Producer(s) | Amanda Goodfried |
| Production Assistant(s) | Ian Schwartz |
| Director(s) | Mesh Flinders |
| Camera | Kevin Schlanser |
| Vidplay | Jan Libby |
| Story | Miles Beckett, Mesh Flinders, Greg Goodfried, and Jan Libby |
| Editor(s) | Kevin Schlanser |
| Cast | |
| Jonas | Jackson Davis |
| Daniel | Yousef Abu-Taleb |
| Sarah | Alexandra Dreyfus |
| Lucy | Amanda Goodfried |
| Bree | Jessica Lee Rose |
| Bree's Watcher | Greg Goodfried |
| Adjacent Blogs | |
| Previous | "It's A Cult" |
| Next | "I hAtE tHeSe PeOpLe" |
| Previous by Daniel | "Comfort Food" |
| Next by Daniel | "Taking Advantage of Her" |
Getting Her Back is the two-hundred fourth video in the lonelygirl15 video series.
Transcript
(The place where the Hymn of One flyers were being handed out is shown.)
Jonas: Beneath the blue stone. I guess this is where we're supposed to be? If you don't know what I'm talking about, let me explain... Bree's two Hymn of One Recruitment videos. They were pretty strange, right? There was a clue in them. Take the first letter, of the first word, of each sentence and it spells out, "Help Her Friday Beneath the Blue Stone." We weren't really sure what that meant until yesterday. Those people there, from the seminar? Well, they received this flyer and they said they got it "beneath the blue stone." And the flyer had a phone number on it. So, we called it last night. But here's the bizarre thing. It was a weird message and we really couldn't understand what it was saying, but what I did make out from it, is that I think this is the place that we're supposed to be.
(Camera cuts to Daniel.)
Jonas: Okay! So here we are. It looks like we're the first on the scene. I went to a... crazy party here when I was a kid. I guess, like, one of my dad's best friends threw this party for his ten year-old son, it was his birthday. And, uh... I mean, he drove me and Alex all the way down here, just to go to this thing. It was so crazy that they even had pony rides in here.
Sarah: That's cool...
Jonas: Yeah.
Sarah: 'Cause ponies are awesome.
Jonas: Well, anyway, when I heard that clue about "Sid the Clown" I knew that, uh... we had to come here. You remember?
Sarah: (to Daniel) You so pretty!
(Shot of Daniel patting his lap with his hands in anxiety)
Sarah: Stop it!
Daniel: I'm just relieving stress.
Sarah: There are better ways.
(All three of them laugh)
Jonas: Yowza!
Sarah: (scoffs) Can I go yet?
Jonas: No! Not yet.
(Sarah imitates shooting herself in the head through her mouth and collapses onto the back seat.)
Jonas: Oh, That's hot!
Daniel: Why act? It's cloth? That's all I know.
Sarah: Uh, you know what? Sitting in this car is not doing anything. So...
Jonas: Well, ya know, it's just gotta stop!
Sarah: You know what! Okay! Ya know what, no, seriously...
Jonas: Hey! Don't you! No!
Daniel: No! Don't!
Sarah: You just need someone...
Jonas: Do not leave! Do not leave the--! Dammit!
(Sarah gets out of the car and rolls her eyes.)
Daniel: Stop her.
Sarah: Ooh!
Daniel: Just stop for a minute!
Jonas: Just stop for a minute, please. Slow down.
Sarah: You want me to stop?
Daniel: Please just stop. Right now!
(Lucy is seen walking nearby.)
Jonas: Oh Jesus, come on go!
Daniel: Look, that’s Lucy.
Jonas: Hold her!
(Sarah runs off ahead towards Lucy. Daniel chases after her.)
Sarah: Better that we talk to her...
Daniel: No.
(Daniel picks Sarah up and starts dragging her back towards the camera and Jonas.)
Sarah: Look... Put me down! URGH! PUT ME DOWN!
(Cut to back in the car. In the distance, there is a car with two guards in suits.)
Daniel: This car just parked, and the guards are looking, kind of, very scary to me.
Jonas: I bet Bree’s in the back of that... back of that car.
(Close up of the car and guards. Lucy walks up to the car and starts gesturing to the guards, one of them walks away with her. The other guard opens the car door and starts talking to the person in the back seat.)
Jonas: ‘Right, me and Daniel here we’re just sitting tight. Sarah took off, she said she’s got a plan. She told us about it. Hope it works.
(Camera cuts to Sarah running towards the car from the other direction, waving her arms and gesturing to the guard as if she is in distress.)
Daniel & Jonas: There she is.
Jonas: (High pitched voice.) What the hell is she doing? That is so obvious.
Daniel: What?
Jonas: That’s f--... it’s working!
(The guard walks away from the car towards Sarah.)
Daniel: Let’s go! Dude, let’s go.
Jonas: Wait. Wait. Wait... Ok now!
(Daniel and Jonas run across the parking lot towards the car. Daniel is holding the camera.)
Jonas: (Opening the car door.) Bree! Come on! Come on. Come on.
Bree: What are you doing here?!
Daniel: Get out of the car!
Bree: What are you guys doing! No. No, no! No!
Jonas: (Slings Bree over his shoulder.) I got her!
Bree: No!
Daniel: I’m gonna go help Sarah!
(Camera show Sarah struggling with the guard.)
Bree: Help!
Daniel: Sarah hasn’t got away yet!
Sarah: Urgh, get off!
Daniel: She hasn’t got away!!
(Sarah breaks free from the guard and runs away. The guard starts running towards the car and BDJ.)
Daniel: Alright.
(Daniel turns around and runs back to their own car.)
Jonas: Good man. You drive!
(Jonas pushes Bree into the car.)
Bree: I don’t wanna go!
Jonas: It’s fine.
Bree: No, I have to do the ceremony!
Jonas: It’s... NO! No no! Stop, sssh, calm down!
Notes
- The growing flirtation from Sarah towards Daniel is obvious, especially when she refers to a certain "something" that may calm his nerves.
- The vehicle Bree was sitting in did not have a license plate.
- Daniel is caught up in cap fever.
- Sarah has confirmed [1] that she, indeed, is safe.
- Sarah is, again, wearing all black.
- The music heard in the background of the "meeting" can be found on the application GarageBand, under the name "Deep Electric Piano". It's not quite clear whether it is #01 or #02
- Videos with Miles Beckett, Mesh Flinders, and Greg Goodfried as executive producers
- Videos with Amanda Goodfried as producer
- Videos with Ian Schwartz as production assistant
- Videos directed by Mesh Flinders
- Videos filmed by Kevin Schlanser
- Vidplays written by Jan Libby
- Story written by Miles Beckett, Mesh Flinders, Greg Goodfried, and Jan Libby
- Videos edited by Kevin Schlanser
- Videos with Jonas
- Jackson Davis filmography
- Videos with Daniel
- Yousef Abu-Taleb filmography
- Videos with Sarah
- Alexandra Dreyfus filmography
- Videos with Lucy
- Amanda Goodfried filmography
- Videos with Bree
- Jessica Lee Rose filmography
- Videos with Bree's Watcher
- Greg Goodfried filmography
- Lonelygirl15 videos
- Lonelygirl15 videos by length
- Lonelygirl15 videos by date
- Daniel's blogs
